Buoyant

Blue Funk charts the physicality of being afraid. As chain reaction, fear settles over its targets, exposing their innate sentient responses of freeze, fight, fawn, and flight. The resulting cacophony evokes the volatility of this moment in time, a mounting pressure edging towards its breaking point.

Retelling of the classic myth of Circe and Odysseus. Circe overcomes the deception of an unanswered love and lets him go.

When we run out of words, the body takes over. Dancers Berengrere Bodin, Samir M'Kirech and TK Russell agree thus far, when asked: why are we fighting? Based on their personal experiences, they search for the whys of the violence around them in the world, but also the violence within them. How do you deal with fear, frustration and disappointment in today's world, where you are not heard or understood? Is it even possible to act in a non-violent way? Or is that privilege reserved for those who create dance, music, art or words?

In Why We Fight? choreographer Alain Platel and director Mirjam Devriendt pay tribute to the arts and to humanity, which always seems to balance between creating something spectacularly beautiful and something horribly cruel. The film is inspired by a scene from the dance performance Nicht Schlafen that Alain Platel made in 2016 with the company les ballets C de la B, in a set by visual artist Berlinde De Bruyckere.

The film does not provide an unequivocal answer to the question of why we are fighting. It does show how a complex set of individual psychological, social, political and religious factors causes constant outbreaks of violence throughout human history.

Using various types of film and image material, as well as visual metaphors, the film analyzes social change, the lack of emotional processing and the strength of humanity. Various historians, philosophers, artists and writers, including Berlinde De Bruyckere, Tinneke Beeckman and Koert Debeuf, will have their say.

Despite the pessimistic signs we see on the world front today, the creators urge us never to lose hope! Or as writer and historian Phillip Blom puts it in the film: "We don't have the luxury of giving up!".