Through a feminist lens, Wiaam from Syria and Orian from Israel seek to examine alternative methods of protest against occupation, racism and violence in current Israel. They grapple with the decision of whether to leave or stay, take action or remain home.

To celebrate half a century of SNDO - School for New Dance Development of the Amsterdam University of the Arts, as a laboratory for dance and performance, a trajectory of public events is unfolding from January 2024 and on. Cinedans proudly joins with the co-production and presentation of a documentary honoring Ria Higler’s legacy. Ria Higler can be considered a 'mother-spirit' of SNDO. A graduate of the first student cohort of Moderne Dans Opleiding, as SNDO was called back in 1976, she transitioned into teaching in 1980. From 1989 to 1998, she served as the co-director of the school alongside Trude Cone, continuing as a core team member, mentor, and teacher until April 2024, when she passed away. Drawing from Higler’s personal archive, which includes hours of footage from her travels in India and Indonesia, as well as recordings of her performances and interviews with those who worked and studied alongside her, this documentary aims to activate the archive and ensure her teachings, spirit and legacy remain visible and accessible for further generations. The film serves as a visual ode celebrating the life and work of one of SNDO's longest-standing and profoundly impactful educators.

This short portrait takes an inside look at the artistic inspiration and motivations of Takano Yonen, a Japanese soloist member of the Hong Kong Ballet. As he dances through urban and natural surroundings, he meditates on the influence of his cultural background and his approach to the ritual and language of dance.

In an arresting procession, a group of non-conforming people – from musicians, artists and poets to anti-military activists, environmentalists and diasporic, queer and trans people – carry a coffin through the ruins of an abandoned resort on Jeju island in South Korea. By performing a burial, they come together to undo a world order built upon hierarchy and division. By performing this ritual, time and place begin to lose their stability as mythical Dokkaebi deities pass through the building and heavy rain and wind blow through its cavities.

Mathilde is a short film based in parts of the 19th century novel 'A Love Story' by Dutch author Lodewijk van Deyssel. Mathilde is estranged from herself and her surroundings by a long-term illness. She is advised to go and live in the countryside for a while. One evening she comes out of her lethargy and has a breakthrough.

We are transported into a dream-like state in which we do not run, but dance. The original music composed by Echo Collective takes us on a journey through landscapes where time disappears and we are drawn into nature.

In Atopias: The Homeless Wanderer, a black woman embarks on a meditative journey through the wild Caribbean landscapes, confronting dreamlike memories and traumatic experiences. This exploration of migration, transgenerational memory and trauma reshapes her voyage, taking her deep into her subconscious, where she encounters her inner child and ventures into ancestral realms.

A contemporary myth on the genesis of the human body, the film oscillates between two distinct dimensions: an infinite black hole, where bodies exist outside linear space and time; and a labyrinthine house, where a strange decadent gathering takes place. As the dreamlike narrative unfolds, different characters go through experiences of love, enchantment, pain and death.

Denni is a tunneller and Einar a farmer in the countryside of Iceland. They both practice wrestling but must keep their relationship a secret from the inner world of Iceland's national and very macho sport.

A building is in constant development, it’s enlivened, used, worn out, decaying. Bodies leave traces in buildings. Buildings leave their mark on us. Decay does not necessarily end in dust that we gently sweep away. In and so I'll go the carpet of an old furniture showroom becomes the grid of various accumulative micro plots and intimate dances.

On her way home from a dance rehearsal, a young woman’s spiraling thoughts begin to blur past and present as she questions her identity and place in the world.

In the history of the future, lab technicians clone themselves. The temperature rises when a clone emerges that deviates from the norm. A game of mirroring, attraction and repulsion emerges, in which the distinction between the deviation and the standard becomes blurred, and even reversible. In the end, who is the right clone?

The discovery of a dance creature in the elevator of a theater sets in motion a cat and mouse play between performer and camera. Both are looking for the fragile harmony of a dance captured on film.

Sininen (The Blue) is a fairytale fantasy of a bird-like figure in the embrace of the forest. The central character of the film has evolved over the years as Vappu has searched for her power figure through dance and movement. The film depicts gentle strength and magical skills, independence and a self-directed ability to create life, meaning and encounters around her. Each of us has something unique to pass on. The script was written together with the performers and choreographed by Vappu Virkkula.

In the wake of the loss of her mother, documentary filmmaker Nyasha Laing travels into the heart of the Jamaican countryside to research the ancestral ritual of Kumina. “Once you beat that drum, you have called the ancestors”, says Imogene “Queenie” Kennedy. Queenie was a contemporary priestess in post-colonial Jamaica, who catapulted her African spiritual practice into renown. Her mysterious world reveals a divergent pathway to freedom, healing, and transformation. Interwoven with Queenie’s life story are the personal journeys of a generation of cultural icons of Jamaican heritage who unearth their roots and examine their identities. Versed in dance, music and cosmology, they open up a portal to the past, as well as a glimpse into the future.

A figure of a black Tito appears in the big and empty underground structure of a former silo in Tamale, Ghana. He visits the people of the country by plane and rickshaw to spread his message and joins the Parliament of Ghosts in session. An artistic interaction between NAM – Non Aligned Movement by Christian Guerematchi and the Parliament of Ghosts by Ibrahim Mahama. Both works speak about forgotten histories and the contemporary echoes of the cultural connections from the time of the Non-Aligned Movement between Ghana and Yugoslavia – Nkrumah and Tito.

Gimp Gait is a solo for two – surrogates to one another. It includes an exploration of the subjects' private and public lives and how the perspective of the viewer may attempt to control or shape who they are. The title of the film discloses its origin: 'gimp', a slur meant to mark a weak or handicapped person and 'gait', the manner or style of a person's walk. Can you notice every part of their bodies – both the similarities and differences?

Twelve world leaders assemble in a war room to play a game on life and death in which they have to dance tango. Last man standing.

This film is part of the online program but is not accessible on the territory of Belgium.

A faceless, genderless body moves in tiny motions; twisting, twitching, stretching; transforming into curious, surreal and intimate shapes. Forming includes dancers with MS and examines the experience of living with a neurological condition. Developed from an artwork by Chloe Rosser and supported by Scottish Ballet.

Retelling of the classic myth of Circe and Odysseus. Circe overcomes the deception of an unanswered love and lets him go.

Under the Sky of Fetishes responds to the complexity of colonial archives. It reinvents the specters of a haunting gaze to tell the story of Mauritian sega – a cultural practice born during colonization and slavery, now mainly seen in tourism. How do we project, literally bring out of ourselves, the narrative of the oppressor? Mixing fiction and ethnography, the film sanctifies the power of the projection as a mental as well as intimate enigma to release ghostly and alienated bodies, including our own.

Tales of Freedoom explores the possibility of movement through recycled materials and wild thoughts. Like a magnifying glass that reveals what’s hidden in the evident, the main character embarks on a journey through the city and a world of sensations. A naively intuitive research, exposing fear, poetry, frustration, freedom and its restrictions.

Rowin, a 22-year-old fisherman from Banda Abou (Curaçao) has little luck catching fish at his fishing spot. He goes there everyday despite the disapproval of his mother. One day, on the coastline where he fishes daily, he encounters a mysterious young man who will change everything.

This film is part of the online program but accessible only in the Netherlands and until the 25th March.

In a remote gas station in the heart of winter, a place where time stands still, three strangers cross paths and reshape time in their own way.

In this non-dialogue tale, set along the coast of Vietnam, a mermaid is rescued from the fish market by a fisherman. As the hero carries her back to the ocean they are joined by two seahorses. Upon her awakening on the beach the mermaid performs a sensual dance. But her joy is short-lived: the waves have other plans.

In a dystopian world, freedom comes with ranking. An MMA fighter is about to step on the ring when his social anxiety disorder takes over. The only way he knows how to deal with his fears is to either fight or flight, but this only takes him further away from winning the game.

“Simple is complex and complex is simple.” Choreographer and director Naomi Kats exposes the internal world and the perspective we hold on our thoughts. To which extent do we allow ourselves to choose, and to look in the mirror?

A young Bulgarian man, riding the endless rollercoaster of workouts, anonymous sex, and dopamine, asks how to finally get off in a world where the body is everything. The film explores the obsession of queer men with their bodies as an object of desire, pleasure, and self-confidence and probes how the body is weaponized in fitness, sex, and hookup culture. Collecting footage from video games, 3D scans, online conversations, and archive footage of the ideal male body, the film asks if it is possible to completely detach from our bodies in this supersexual culture.

There is a couple. Two bodies. Two beings. 1+1. Sometimes it feels like only one. This film piece wants to explore aspects of a relationship through movement, through the bodies of the performers. The unfathomable distance between two people. Broke but never broken

The unfathomable distance between two people. Broke but never broken

From the depths of the Earth to the dunes of an unknown desert, a group of women embark on an initiatory journey. A pagan mass, a quest, or a common elevation, The Goddam Milky Way celebrates femininity in all its roughness and complexity.

This short documentary follows two performers who mix traditional clog dancing from the North West of the UK with choreography for two modified fitness machines based on agricultural yokes. Clog dancing is said to have originated in East Lancashire from the weaving mills of the 19th century, where working women would tap to the rhythm of the machines. The film explores identity and belonging in the context of industrialisation and economic migration and how movement, as a result, has been transformed by it.

Five perfect strangers meet in the middle of the night and break into an abandoned house. Are they occupiers? Vandals? Far from it! They are in need to free themselves from the shackles of everyday life. It is not a break-in, but a break-out! And so it begins. The five withdraw and start their individual ritual. Their lust can be felt, their power is contagious. No one can stop what has been unleashed.

The human body and its most basic need is the subject of this minimalist film envisioning a water-scarce future. A young man stumbling along a path, hears the sound of water before dropping down in exhaustion. He opens his eyes to find himself in a bare landscape where a bottle of water sits on top of a very high pole.

Until We Die is a poetic film, set in a devastated world where collective disorder is the precondition for survival. Eloquently moving bodies replace the spoken word and reveal the bruised characters, haunted by a past sweeter than the crumbling world they find themselves in.

This film is part of the online program but accessible only in the Netherlands.

Inspired by hydrofeminist theories and wearing a vessel suit, full of leaking water, artist Elisabeth Raymond tells an otherworldly story about sorrow, the plastic in our oceans and how our borders are fluid.

Siren is a short story of a curse. The central figure’s heightened state of danger blooms into ecstasy, disgust and rage. What happens when we yield to our fear?

The Junior Company of the Dutch National Ballet, nurturing and developing exceptional young talent and shaping the future generation of leading dancers, is celebrating its 10-year anniversary. A celebratory documentary about a crucial platform for the development of young and ambitious dancers.

Carried in Silence is an extract of a relation between a mother and a daughter. Through contemporary dance and classical music the film speaks about intergenerational trauma and suppressed emotions, carried in silence. The chain of generations is also reflected in the music of the film, composed by Isabella Leonarda in the 17th century – one of the few female composers of her era.

An allegorical film based on the news photos of refugees. Reality is often more absurd and bitter than you could have ever imagined. We are inundated with images that make us jaded in a certain way and our conscience has become a casual phenomenon of our time: today it is here, tomorrow it is gone.

The film is accompanied by a performance by artist Miloushka Bokma.

Bart shares his experiences of living in Moerwijk-Oost, a working-class neighborhood in The Hague. The many empty buildings merge the world of a group of inhabiting creatives with the daily antics of five children living down the street. Shot with a hand-held 16mm and super 8 camera and accompanied by a photo series by Nas Hosen and soundtrack by Unit Nine.

Around its own axis showcases the infinite, repetitive rhythm of the automated Dutch agricultural landscape. Machines perform a dance, while choreographer Pauline Roelants, in the language of her profession, guides the viewer through the scenes. Thus, the silences and tranquility of the landscapes, interacting with the impulsive actions and mistakes of the machine, become an integral part of the choreography.

A park. Two bodies dance looking for the exit. Through the tour they find fantastic and real situations. The movement will carry them forward into the next age. A labyrinthine passage from Dance in the Park.

Bull Rider merges meditations on dance from choreographer Martha Graham, music by composer Philip Glass and featuring bull rider in action Ouncie Mitchell.

A gateway, a threshold and a figure pausing, maneuvering his being within a misplaced frame. I dream no more I remember is a palindrome film, a mystical ritual in a magical and archaic place. An homage to the poetry of Lorenzo Calogero.

On the night of August 14, 1791, a Vodou ritual took place in Bois-Caïman that became the precursor to a mass uprising against slavery and the birth of Haiti, the world’s first black independent republic. Since then, ceremonies of artistic and religious expression have been a mainstay of Haitian culture and its resistance to external oppression, poverty and natural disaster. Kite Zo A: Leave the Bones is an intoxicating creative and spiritual experience. In this captivating documentary, director Kaveh Nabatian worked closely with local dancers, musicians, fishermen, daredevil rollerbladers and priests to create a sensory immersion in these sacred rituals.

Inei, meaning darkness in Japanese, is a poetic exploration of the unfixed time system known as futeijihō. The dance film unfolds against the breathtaking backdrop of Mount Yufu and is a visual and emotional feast for the senses. From the blue hues of sunrise to the dusky shadows of sunset, the film captures the shifting atmospheres and moods that accompany the passing of time.

Ampe is a high-energy game played by girls in Ghana. It includes jumping, clapping, and an all-around cheer as two teams select a stepping pattern and face off. The innate joy and competitive edge of ampe discloses the desire of girls to be set free unconditionally and feel a range of emotions without judgment.

A collaboration between Icelandic multi-instrumentalist Ólafur Arnalds and filmmaker Vincent Moon, When We Are Born is a journey about rituals, relationships and our inner landscapes. Filmed in Iceland in the summer of 2020 and based partly on Ólafur’s life, the work ultimately focuses on how we all move forward; a theme made especially potent in the times of disconnection and isolation it emerged from. The music of the film was recorded live on location and interpreted by choreographer Erna Ómarsdóttir and the Iceland Dance Company.

Phuong is released from prison and returns to her home province. She finds Khang, her childhood sweetheart, but no longer recognizes her village. All the small factories in the province have closed, and the big city suddenly bristled with countless skyscrapers. Urban Genesis questions the place left to love when time passes faster than the clouds.

Millennial Eva is looking for a way to escape her daily struggles. The nightlife can give her the anonymity she needs to finally surrender to the moment. Will she get carried away by the flow of the beat? Can she disappear into the crowd without losing herself?