In Oulton, Leeds, an old coal-mining community of over 60 houses still stands. Originally built as temporary council housing but later sold to private investors, these homes now face the threat of demolition, putting a large number of residents at risk of displacement—some of whom have lived there their entire lives. Through a combination of audio interviews and a striking visual metaphor, we uncover the stories of a tightly-knit community, their cherished memories, and the stress and uncertainty surrounding their ongoing campaign to save their homes.

Max, a young ice cream vendor with aspirations of becoming a techno musician, is paralyzed by fear just before stepping on stage at a rave club. Forced on an introspective yet visually expressive journey, Max is confronted by his insecurity and the cold presence of Alex, the guardian of loneliness. But when he unexpectedly meets the charming Helen, she is determined to free him from the clutches of self-doubt.

Lukács and Broersen examine the Western colonial perception of the jungle as an untouched wilderness or 'terra nullius.' The film reimagines botanical gardens in Brussels, Paris, London, and Amsterdam—places where the wilderness was once appropriated and transported to Europe. The iconic song I Wan'na Be Like You from Disney’s Jungle Book (1967) is reinterpreted by collaborators, most notably the Afro-Surinamese music group Black Harmony, offering a proud reimagining of their community’s history and future in the diaspora.