Through the theme of the bather, the traditional representation of the female nude is interrogated. In a collaborative process of reappropriation of the female body, the models become the actors and choose what to give to the artist and the audience.

Filmed amidst real events and protests during the recent Lebanese revolution, this portrait follows the journey of a woman's internal revolution and the colliding, contradicting emotions she carries within. In a country trying to redefine itself, she strives to find her own identity.

Covert elaborates the idea of a ‘space between’, in which the focus of engagement is determined by the dynamics between the movements of the dancers: towards and away from the camera.

Air flows into bodies as bodies flow into water, roll through sand, leap through air. Seen from an aerial viewpoint, a group of five dancers move to the rhythm of breathing – is it earth itself? Their bodies connect and dissolve in a sensuous tribute to the origin of existence.

Le Faune is a fantasy world on film, based on the ballet L’après-midi d’un Faune (1912) by Vaslav Nijinsky and Claude Debussy. Nijinsky's original style, rectangular and with slightly sexually tinted movements, caused commotion amongst the audience and press. In his film Le Faune, just like Nijinski, Joseph Simon incorporates new influences to the code of ballet and has created an enchanting dance-film about voyeurism, intimacy and sexuality.

For Mami Origami, filmmaker Marites Carino was inspired by the complexity of Japanese origami art. The film addresses themes such as transformation and the multi-layered, complicated nature of being.

Inspired by female superheroes like Lara Croft and Nadia Comăneci, LADIA explores themes of effort, pain and exhaustion. It portrays the struggle of many contemporary women who have to constantly overcome themselves while hiding the scars of their fight.

A group of people emerges from the water. They try to work against the current of the river and the crowd of people in the city, but surrender to the flow and are washed ashore. Going with the flow or against it, resistance and devotion manifest as a basic instinct. A strategy of survival.

Not too long and the ash tree will be extinct on the European continent. A fungus has taken over this part of the world and infected almost all the trees. Dagmar Dachauer was inspired by the sad fate of the European ash and linked the story to a personal loss in her own life.