Each body contains unfathomable amounts of information, energy and desire. The suspension of time and weight unlocks something previously concealed by reality. Queer bodies come in and out of focus as ecstatic, undulating, momentous forces. For this screening, we present a fragment from the film.

Filmmaker and photographer Matt Lambert confronts the censorship of nipples in contemporary culture and the absurd double standards involved. While he brings the nipple to the lucid centre of the frame, model and activist Adwoa Aboah lends her voice to deliver a provocative verse written by feminist writer Alex Holder.

What does your flesh crave? How can the prayers of the body be heard in the name of that most sacred of desires: lust? A powerful celebration of male bodies, detached from today's conservative culture, with their skins and their guts, in an erotic, visceral and irrational vertigo.

Part of the Sex & Space Trilogy, in the intersection of pornography and choreography, Sonata focuses on musicality, phrasing, and combining voice and movement. It is a study of the body’s inside and outside, in which the actors interact with the historical setting through improvisation. We present an extract from the film.

Three dancers re-enact the best photographs by the Chinese artist Ren Hang, known for his daring erotic images that challenged Chinese censorship. Ren killed himself in 2017, just 29 years old. Fragments from his writings highlight his fight with depression in this playful homage to his work.

A lighthearted game based on one single rule: 'You may only touch your partner under or over clothing that you dress them in.' This fully improvised erotic exploration brings them into a synchrony that feels like dancing. Starting naked, ending clothed and exhausted – a love scene in reverse. We present a fragment from the film.

ROTTED is a short-film by long-term and frequent collaborators, Matt Lambert and Steven Fast. Produced by VITIUM in association with Dance Theatre Heidelberg in the summer of 2021, this experimental and explicit dance film fuses repetitive movement with autobiographical excerpts of Fast’s sexual history.

A slow-motion pan shot captures a wild, glittered, blood-splattered orgy during the Tang dynasty. This film recreates scenes of the Taiwanese cult film Tang Chao Chi Li, that was never realised and only exists as a screenplay. The scene brings together different gendered bodies and subcultures of Taiwan's society. Presented without narrative context, the orgiastic murder scene plays out like a nightmare.

In this music video for their track Butt Muscle, 'drag terrorist' Christeene teams up with director Matt Lambert to create an outrageous display of anal fantasies. Featuring fashion duo Rick Owens and Michèle Lamy as well as outsized dildos and lavish amounts of lubricant, this surreal sextopia is unabashedly transgressive.

Expanding the relationship between human sexuality, choreography and musical composition, Michael Portnoy aims to counter the predictable cadences and movements of commercialised, desensitised sexual intimacy. In rock opera slapstick vignettes, the complex meter and compositional structures found in progressive rock and math metal inspire staged performances of the sexual act.

In a statement about the current lack of financial support for the arts, 35 Portuguese dancers undress in front of the camera. They become the object of desire with a sensual, provocative performance. Eclectic dance disciplines help this film to explore an exhibitionist view of the male nude.

Toby Dye’s music video for Massive Attack’s song Paradise Circus is a short documentary: an interview with Georgina Spelvin, the eponymous star of 'The Devil in Miss Jones', one of the most famous porn movies of all time. Despite YouTube banning the video, it drew over 20 million hits.