Bailaora is the last short film from the Rubin Stein's B&W suspense trilogy Light & Darkness after the award-winning Nero and Tin & Tina. Each of these movies try to explore a different issue related to the dark side of the human beings. In Tin&Tina it was the family; in Nero it was politics; and in Bailaora it is war.

Far from homogenizing parameters, flamenco uses the subversive power of art to enhance the diversity of bodies on stage. Disability is no longer a limit, but a creative starting point.

Japanese Butoh artist Ken Mai has chosen a modest life for the sake of art. He is also the father to two small girls, and about to divorce. Skeleton Dance explores themes of life and death through improvisation and association, just like Butoh dance does.

The Montreal Steppers visit South Africa for a cultural and artistic exchange to learn from elders and youth, brilliant artists and knowledge keepers. Connecting to the roots of Gumboots, Pantsula and Stepping changed their lives and the work that they do. It fuelled a deeper commitment to sharing the history and honouring the art forms that paved the way for resistance, power and legacy. With this knowledge, they enter into spaces with a heightened appreciation and understanding that this dance form is indeed their “ancestral inheritance.”

‘The past is just us in funny clothes’ Mike Tyson said once. He’s right. If you already know that during the making of a film, whilst on a motorcycle trip from the Netherlands to Ghana, you will never be able to capture and transfuse all the new impressions you encounter. What do you do? You dance. Over there. And you film the dancing. Lo and behold: the new dance film by breakdance collective 155. Narrated by Joost Prinsen.

Hank does not fit in. Riding his motorcycle enables him to clear his mind. Riding over 130kmh everything turns black and white. During his nightly drives his thoughts and reality become deeply entwined.

Robbie lost two fingers to fireworks. When asked how that feels, he said: "Not everything feels like something else. How could I explain what chocolate tastes like? I can only say what it doesn't taste like: not like twigs, not like water and not like sand." GAT is about movement, bodies and feeling. It’s about what you can’t see, but feel.

Patrick is angry and wants to destroy everything. When he is forced to take a course in anger management, he meets other enraged people. An experimental therapist tries to squeeze out their brutal energy through dance. Can Patrick find a way to redirect his violent energy into something of value?

Antonia Singla was born in the suburbs of Barcelona and became deaf shortly after birth, so she learned to dance flamenco without listening to the music. At the age of 17, she revolutionized the world of flamenco, but before she turned 30 she disappeared forever from the stage.

Fifty years later, a young woman finds some old archives and is fascinated by her. La Singla seems to hide something tragic behind her gaze and transmits a passion that goes beyond dance. Why had she never heard of her?

Determined to find answers, she immerses herself in an investigation that leads her to discover that La Singla was a great success in Germany, where she was considered the best flamenco dancer in the world. Finally, she will try to find her to learn first-hand her heartbreaking story.

Wouter is a ginger, unlike most people around him. While out on his daily jog, he daydreams of dancing a four and half kilometre run – with the help of other ginger-haired folk.

Coup de Grâce is a film about the collapse of a friendship, about what is broken and what cannot break. After a long separation two men meet again in a massive building at a remote location. In the course of the evening and an icy night, they fight a weaponless, exhausting duel.

It tells of how feelings of revenge can never be transformed into resignation in spite of the passing of time. How the lust for life burns, smolders, rekindles and then slowly dies. This duel ends with neither winner nor loser.

Departures tells the story of Giralda, an undertaker who accompanies deceased human beings into their afterlife. Interpreted with the means of Spanish flamenco dance and music, and set at an old East German ship canal lift, the film creates an associative fusion between Northern and Southern Europe, movement and silence, farewell and eternity.

After three decades of hiding his feminine impulses, renowned Spanish dancer Manuel Liñán comes out to challenge convention by pursuing his love of performing flamenco - dressed as a woman.

SULPHUR (short version) is a dance movie by Andrea Leine & Harijono Roebana (choreography) and Jellie Dekker (filmdirector).The film was realised in 2000. Music: Martijn Padding, set decorator: Rudi Luijters.

The film consists of an epilogue, three scenes, and a prologue which were filmed on different locations, ending in the Teylers Museum, Haarlem.

The choreography was largely inspired by the films’ locations, as was the cinematography. The score was created using samples of set recordings combined with instrumental improvisations. In every scene the four elements (choreography, camera, music, location) have a different concept, but subsequently mix together to create a specific atmosphere centred around the color of sulphur.