Inspired by hydrofeminist theories and wearing a vessel suit, full of leaking water, artist Elisabeth Raymond tells an otherworldly story about sorrow, the plastic in our oceans and how our borders are fluid.

In an arresting procession, a group of non-conforming people – from musicians, artists and poets to anti-military activists, environmentalists and diasporic, queer and trans people – carry a coffin through the ruins of an abandoned resort on Jeju island in South Korea. By performing a burial, they come together to undo a world order built upon hierarchy and division. By performing this ritual, time and place begin to lose their stability as mythical Dokkaebi deities pass through the building and heavy rain and wind blow through its cavities.

In the process of encountering an abandoned building, multi-disciplinary artist Martijn Klukas playfully tests our perception in a series of parables. Representation, decontextualization, deconstruction and sequentiality in text, image and sound playfully reveal an intuitive body that constantly searches for meaning and expanded connections.