A park. Two bodies dance looking for the exit. Through the tour they find fantastic and real situations. The movement will carry them forward into the next age. A labyrinthine passage from Dance in the Park.

Based on the legendary Chinese folktale Kua-fu Chases the Sun in the scripture of Mountain and Sea from 4th century BC. As in the legend, the film, employing the language of dance, tells the wondrous story of a modern man on a daring quest to chase the sun. When the enigmatic creatures depicted in the book begin to infiltrate his dreams, he suspects that he has crossed paths with them.

In her new video work, choreographer Meg Stuart explores the Vorklinik, a modernist building erected in 1971-76 for the University of Graz’s medical faculty, that has meanwhile been demolished, as it was considered too dysfunctional for further use. Together with two dancers, Stuart attempts to mark this brutal transition through a sensorial processing of the building’s vast, empty spaces. Like the modernist project, the attempt to fit their bodies into the architecture of the Vorklinik is slated to fail. With tenderness and sensuality, they connect past and future, dream and decay.