A couple dances at the ruins of an abandoned station in the industrial city of Campinas, Brazil. Aren't we going to Moscow? is a dance of an in-between time, shot in VHS. Inspired by Anton Chekhov's The Three Sisters, the dancer's research vocabulary creates a delirium, an implosion, and a gesture of escape. 

Shot in the pine forests and sand dunes of the Curonian Spit in Lithuania, Eglė Budvytytė’s Songs from the Compost is a poetic and hypnotic exploration of nonhuman forms of consciousness and different dimensions of symbiotic life in the forest: interdependence, surrender, dying and decay.  The life cycles of the forest offer an alternative vision: here, when things die, they break down and merge into the earth to be reabsorbed by other living forms, like moss, mushrooms, insects and bacteria.

Featuring solo performances by choreographer Mami Kang, the film's song lyrics draw on the work and words of biologist Lynn Margulis, celebrating the role of bacteria in making life and the collaboration between the single-cell organisms possible, as well as concepts by the science-fiction author Octavia Butler, who employed tropes of symbiosis, mutation and hybridity to challenge hierarchies and categorisation.

Jangan Lupa uses as reference an integration booklet given to people that came to the Netherlands after the Indonesian independence, and gives voice, sound and movement to the search for belonging.