Blue Funk charts the physicality of being afraid. As chain reaction, fear settles over its targets, exposing their innate sentient responses of freeze, fight, fawn, and flight. The resulting cacophony evokes the volatility of this moment in time, a mounting pressure edging towards its breaking point.

Around its own axis showcases the infinite, repetitive rhythm of the automated Dutch agricultural landscape. Machines perform a dance, while choreographer Pauline Roelants, in the language of her profession, guides the viewer through the scenes. Thus, the silences and tranquility of the landscapes, interacting with the impulsive actions and mistakes of the machine, become an integral part of the choreography.

Bull Rider merges meditations on dance from choreographer Martha Graham, music by composer Philip Glass and featuring bull rider in action Ouncie Mitchell.

Saba, an Iranian girl, is a dancer. She wants to be indifferent to her surroundings and manifests this self-being and freedom with her body. She is in love with the art of dancing, the art of letting go and living away from conventional bonds. But this art of being is forbidden in an ultimately religious state that ignores the very basic human rights. The film is an honest portrait of the daily oppression women have to deal with in Iran towards the path to freedom.

This film is part of the online program but accessible only in the Netherlands.

Far from homogenizing parameters, flamenco uses the subversive power of art to enhance the diversity of bodies on stage. Disability is no longer a limit, but a creative starting point.

When a video of kids dancing in the rain goes viral, it brings global attention to an unlikely ballet school outside Lagos, Nigeria. Now, Daniel Ajala -- who learned ballet over YouTube -- is training students to perform on the world stage.

She faces endless rehabilitation; her body keeps recalling the injury; she wishes to appease, yet she fell……Three dancers who have confronted injuries filled the visual with strain on the body. The film ponders how to co-exist with the trauma and keep going after one’s world falls apart.

It takes 6 weeks to come off antidepressants. A man tries to dance his way through it, armed only with a boombox and a sign inviting people to join him. From over 100 hours of footage shot on the streets of Bristol and London, this film documents a journey from isolation to connection.

Q5 is inspired by the energy, feeling and expressiveness of Waacking; also known as Whacking or Punking. A dance form that emerged in the 1970s as an expression of oppression in the Latin and African-American LGBTQI+ underground clubs of Los Angeles. Through the sounds and movement language of Waacking, the 5 performers in the film dive into the 5th dimension. They explore different colors, portals, perspectives and worlds within worlds. All in search of the essence: The Quintessentials! The original theater performance and tour of '21 was canceled due to Covid and transformed into a 5-episode Waacking movie series that festively closes Cinedans FEST '24!

The Purple Episode is the last episode of the series and includes a Theater Scene and the Beyond The Whack - Behind the scenes content, as well as the performers' Mission Statement and the last historical chapter, exploring what is the essence, and how can we preserve and protect that to take to our future dream visions for the dance, culture, community & BEYOND!?

Set in the flooded villages of Java, Indonesia, this dance film attempts to come to terms with the despair that surrounds a disappearing home. Leleb is dedicated to those who endure.