Inspired by hydrofeminist theories and wearing a vessel suit, full of leaking water, artist Elisabeth Raymond tells an otherworldly story about sorrow, the plastic in our oceans and how our borders are fluid.

The discovery of a dance creature in the elevator of a theater sets in motion a cat and mouse play between performer and camera. Both are looking for the fragile harmony of a dance captured on film.

A figure of a black Tito appears in the big and empty underground structure of a former silo in Tamale, Ghana. He visits the people of the country by plane and rickshaw to spread his message and joins the Parliament of Ghosts in session. An artistic interaction between NAM – Non Aligned Movement by Christian Guerematchi and the Parliament of Ghosts by Ibrahim Mahama. Both works speak about forgotten histories and the contemporary echoes of the cultural connections from the time of the Non-Aligned Movement between Ghana and Yugoslavia – Nkrumah and Tito.