Around its own axis showcases the infinite, repetitive rhythm of the automated Dutch agricultural landscape. Machines perform a dance, while choreographer Pauline Roelants, in the language of her profession, guides the viewer through the scenes. Thus, the silences and tranquility of the landscapes, interacting with the impulsive actions and mistakes of the machine, become an integral part of the choreography.

Anna sees Jasmine, her former bully from school, after years when she brings her daughter to dance class. Anna and Jasmine try to behave nicely, but something is bubbling beneath the surface. And then things get out of hand.

This is what freedom feels like, baby.” The uncompromising words of musician and writer Mykki Blanco echo over a transcendental parade of a group of empowered queer dancers. A film about the French black queer community taking pride in who they are, what they have achieved, and embracing the bodies they are in. Tajabone takes its name from a unique tradition in Senegal, where in addition to singing and dancing through the streets everyone practices cross dressing through the night.