How far are you willing to go for your hustle? A young Kenyan visual artist comes up with a sly plan to take over the art world abroad. Will it work? This One Went to Market is part of the mini-series by The Nest Collective, in partnership with Forum Syd, dedicated to the city of Nairobi and its citizens – trying to live to see another day, to get that cash, to get home, to get a job.

A figure transitions between two realities: An external material one - in which they are subjected to increasing levels of social interaction - picking up ‘human’ traits as they go. And an internal fluid one - in which they are able to seek refuge to be and feel themselves.

EXT. is centred around the experience of someone trying to figure out what it is to be ‘human’. The film is a reference to our experiences as social animals and the often absurd evolution we go through, to adapt to society.

It also references gender exploration - the journey of an initially gender neutral character, that is increasingly nudged to conform to a binary - in order to fit in - and their escape to a fluid space, devoid of expectations and norms.

The film uses movement instead of dialogue as a means of expression and follows the protagonist on their awkward journey through different surroundings, like an avatar in a computer game.

Blue Funk charts the physicality of being afraid. As chain reaction, fear settles over its targets, exposing their innate sentient responses of freeze, fight, fawn, and flight. The resulting cacophony evokes the volatility of this moment in time, a mounting pressure edging towards its breaking point.