We Don't Dance for Nothing is a photo-montage love letter to the Filipina domestic workers of Hong Kong. This visual recreation of true memories shared by this community of 400,000 women, follows one woman's plan to run away towards her dreams, independence, freedom and the woman she loves. Captured on Super-16 amidst the 2019 Hong Kong protests, still images blend with motion dance footage to touch on the passionate street dancing of these women, LGBTQ+ themes in Hong Kong, issues of workers' rights, and the city's rapidly changing political landscape.

The Story Won’t Die by award winning filmmaker David Henry Gerson and Oscar winning producer Odessa Rae, offers a timely look at a young generation of migrant Syrian artists, from rappers and break-dancers to visual artists. An uplifting and humanizing look at what it means to be a refugee in today’s world.

After three decades of hiding his feminine impulses, renowned Spanish dancer Manuel Liñán comes out to challenge convention by pursuing his love of performing flamenco - dressed as a woman.

Departures tells the story of Giralda, an undertaker who accompanies deceased human beings into their afterlife. Interpreted with the means of Spanish flamenco dance and music, and set at an old East German ship canal lift, the film creates an associative fusion between Northern and Southern Europe, movement and silence, farewell and eternity.

SULPHUR (short version) is a dance movie by Andrea Leine & Harijono Roebana (choreography) and Jellie Dekker (filmdirector).The film was realised in 2000. Music: Martijn Padding, set decorator: Rudi Luijters.

The film consists of an epilogue, three scenes, and a prologue which were filmed on different locations, ending in the Teylers Museum, Haarlem.

The choreography was largely inspired by the films’ locations, as was the cinematography. The score was created using samples of set recordings combined with instrumental improvisations. In every scene the four elements (choreography, camera, music, location) have a different concept, but subsequently mix together to create a specific atmosphere centred around the color of sulphur.