After Whim makes it through an unconventional audition for the dance piece Syncope, the choreographer remains unsatisfied with her full commitment. But what she and the other dancers experience in rehearsals is only a glimpse of the dark vision he will impose on them.

A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.

Néphélie reluctantly agrees to meet Leila one last time to finish their ongoing video dance project. While they dance, the weight of their charged history begins to surface.

After the death of her youngest daughter, Carmen is unable to face her loss, haunted by the constant presence of her ghost. Guided by her eldest daughter, she embarks on a journey through grief, finding expression in the power of flamenco.

In this cinematic adaptation of Severs’ stage performance Coerced and Freely Given ('24), three performers train together to endure the world’s violences and reclaim space for vulnerability and anger through care and solidarity. Known for her unique blend of choreography and martial arts, Severs delves into the body’s resilience, vulnerability, and ability to resist societal and political pressures.

Max, a young ice cream vendor with aspirations of becoming a techno musician, is paralyzed by fear just before stepping on stage at a rave club. Forced on an introspective yet visually expressive journey, Max is confronted by his insecurity and the cold presence of Alex, the guardian of loneliness. But when he unexpectedly meets the charming Helen, she is determined to free him from the clutches of self-doubt.

In today’s world, it’s almost impossible to truly stand still. We keep ourselves constantly busy, striving for more and getting less in return. Droom acknowledges this overwhelming feeling and invites us to experience three different phases of stillness.

A filmmaker and former dancer returns to her family home to make an elaborate dance film with her parents, but when they fail to live up to unrealistic expectations, she hires professional dancers to play them. A collaborative dance unfolds within her family home, as captured through behind-the-scenes and 16mm footage, all of which becomes gradually overshadowed by her mother’s metastasizing cancer. The hybrid film that emerges is a loving tribute to one family’s way of facing mortality and a darkly funny meditation on that impossible urge to hold onto the past; on what family archives come to mean on the eve of loss.

Caravan is a series of portraits of a young immigrant community undergoing language integration at school in a working-class neighbourhood of Montreal. Through a hybrid form of documentary and poetic mise-en-scène, the film presents a series of tableaux that highlight the humanity of otherwise discriminated and marginalized groups.

Between loads of laundry at the corner laundromat, Cooper shares the story of her gender reassignment journey. Piecing together her memories, from her childhood in a small fishing village through her tumultuous medical process, Cooper attempts to make peace with the last male imprint remaining on her body: that annoying deep voice that sticks to her skin.

In Oulton, Leeds, an old coal-mining community of over 60 houses still stands. Originally built as temporary council housing but later sold to private investors, these homes now face the threat of demolition, putting a large number of residents at risk of displacement—some of whom have lived there their entire lives. Through a combination of audio interviews and a striking visual metaphor, we uncover the stories of a tightly-knit community, their cherished memories, and the stress and uncertainty surrounding their ongoing campaign to save their homes.

Smartphones have undeniably transformed the way we live, impacting nearly every aspect of our daily lives. A crew of young dancers explore the effects of technology through a dynamic interplay between dance and camera.

In search for his identity through scootering and self-development, a young boy explores his relationship to his body and emotions. Composed of footage collected online, the film chronicles the character’s attempts to navigate his existential dismay.

‘The past is just us in funny clothes’ Mike Tyson said once. He’s right. If you already know that during the making of a film, whilst on a motorcycle trip from the Netherlands to Ghana, you will never be able to capture and transfuse all the new impressions you encounter. What do you do? You dance. Over there. And you film the dancing. Lo and behold: the new dance film by breakdance collective 155. Narrated by Joost Prinsen.

Hank does not fit in. Riding his motorcycle enables him to clear his mind. Riding over 130kmh everything turns black and white. During his nightly drives his thoughts and reality become deeply entwined.

Robbie lost two fingers to fireworks. When asked how that feels, he said: "Not everything feels like something else. How could I explain what chocolate tastes like? I can only say what it doesn't taste like: not like twigs, not like water and not like sand." GAT is about movement, bodies and feeling. It’s about what you can’t see, but feel.

Patrick is angry and wants to destroy everything. When he is forced to take a course in anger management, he meets other enraged people. An experimental therapist tries to squeeze out their brutal energy through dance. Can Patrick find a way to redirect his violent energy into something of value?

Antonia Singla was born in the suburbs of Barcelona and became deaf shortly after birth, so she learned to dance flamenco without listening to the music. At the age of 17, she revolutionized the world of flamenco, but before she turned 30 she disappeared forever from the stage.

Fifty years later, a young woman finds some old archives and is fascinated by her. La Singla seems to hide something tragic behind her gaze and transmits a passion that goes beyond dance. Why had she never heard of her?

Determined to find answers, she immerses herself in an investigation that leads her to discover that La Singla was a great success in Germany, where she was considered the best flamenco dancer in the world. Finally, she will try to find her to learn first-hand her heartbreaking story.

We Don't Dance for Nothing is a photo-montage love letter to the Filipina domestic workers of Hong Kong. This visual recreation of true memories shared by this community of 400,000 women, follows one woman's plan to run away towards her dreams, independence, freedom and the woman she loves. Captured on Super-16 amidst the 2019 Hong Kong protests, still images blend with motion dance footage to touch on the passionate street dancing of these women, LGBTQ+ themes in Hong Kong, issues of workers' rights, and the city's rapidly changing political landscape.

Wouter is a ginger, unlike most people around him. While out on his daily jog, he daydreams of dancing a four and half kilometre run – with the help of other ginger-haired folk.